
Ben Hancox violin, Hannah Dawson violin, Robin Ashwell viola, Cara Berridge cello
The award-winning Sacconi Quartet is recognised for its unanimous and compelling ensemble, consistently communicating with a fresh and imaginative approach. Performing with style and commitment the Quartet is known throughout the world for its creativity and integrity of interpretation. Formed in 2001, its four founder members continue to demonstrate a shared passion for string quartet repertoire, infectiously reaching out to audiences with their energy and enthusiasm.
Over the past decade they have enjoyed a highly successful international career, performing regularly throughout Europe, at London’s major venues, in recordings and on radio broadcasts. The Sacconi is Quartet in Association at the Royal College of Music.

John Mills violin, Jeremy Isaac violin, Lydia Lowndes-Northcott viola, Bozidar Vukotic cello
For over a decade and a half, the celebrated Tippett Quartet has delighted critics and audiences alike with its animated, virtuosic performances, and its inspired and attractive programming. The quartet has performed at the BBC Proms and numerous festivals throughout the UK and abroad, and has recently toured Europe, Canada and Mexico. The quartet regularly appears at Kings Place, Queen Elizabeth Hall and Purcell Room at the Southbank Centre and Bridgewater Hall and frequently performs on BBC Radio 3.
Alongside a busy touring schedule, the Tippett Quartet pursues a keen interest in educational work with both schools and universities and is currently Ensemble in Residence at Sidney Sussex College, Cambridge University.

Steven Devine
Steven Devine enjoys a busy career as a music director and keyboard player working with some of the finest musicians. He made his London conducting debut in 2002 at the Royal Albert Hall and is now a regular performer there - including making his Proms directing debut in August 2007 with the Orchestra of the Age of Enlightenment. He has conducted the Mozart Festival Orchestra in every major concert hall in the UK and also across Switzerland.
Steven is Music Director for New Chamber Opera in Oxford and with them has conducted performances of Purcell's Dido and Aeneas, Mozart's La Finta Semplice and Il Re Pastore, Stradella's Il Trespolo Tutore, Rossini's Le Comte Ory, Handel's Xerxes and Tamerlano, Arne's Artaxerxes, Galuppi's Il Mondo alla Roversa. He has directed the first performance of the newly-acquired score of Cavalli's Erismena and Sallieri's Falstaff with the same forces. For the Dartington Festival Opera he has conducted Handel's Orlando and Purcell's Dido and Aeneas.

Claire Martin OBE
Linn recording artist and BBC Radio 3 presenter Claire Martin has spent the last 27 years honing the craft of jazz singing. To worldwide critical acclaim she has established herself as a tour de force on the UK jazz scene gaining many awards, including winning the British Jazz Awards seven times, along the way.
Thanks to her jazz-loving parents, Claire grew up in a household full of great music. She became a professional singer at 19 and two years later she realised her dream of singing at Ronnie Scott's legendary jazz club in Soho. Signed to Linn Records in 1991, Claire has since released 17 CDs with the label, collaborating with musical luminaries including Martin Taylor, John Martyn, Stephane Grappelli, Mark Nightingale, Sir Richard Rodney Bennett, Jim Mullen and Nigel Hitchcock on many of these recordings.
Claire has performed all over Europe and Asia with her trio and, until his death in 2012, with Sir Richard Rodney Bennett in an intimate cabaret duo setting both in England and in America where they played to sell out crowds at venues including the prestigious Algonquin Hotel in New York City. Claire is also a featured soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the RTE Concert Orchestra, the BBC Big Band and the BBC Concert Orchestra. She has co-presented BBC Radio 3's Jazz Line Up since 2000 and has interviewed many of her musical heroes such as Pat Metheny, the late Michael Brecker, Brad Mehldau and Andre Previn. Her 2009 CD 'A Modern Art' prompted Jazz Times USA to claim: 'She ranks among the four or five finest female jazz vocalists on the planet'.
Claire was thrilled to win both the 2009 and 2010 ‘Best Vocalist' category at the British Jazz Awards and toured extensively throughout the UK, Scandinavia, Russia and China, appearing with the Royal Liverpool Philharmonic and her world-class trio. 2011 proved to be an extraordinary year for Claire who made her debut at the Lincoln Center in New York with pianist Bill Charlap and went on to perform for the third time at the famous Algonquin Hotel for a three week residency with Sir Richard Rodney Bennett. Their CD 'Witchcraft'gained much critical acclaim and was "unequivocally recommended" by Jazzwise magazine. At the Queen's Birthday Honours in June, Claire was delighted to be awarded an OBE for her Services to Jazz.
In August 2011 Claire recorded with legendary jazz pianist Kenny Barron and an all-star American line up for her fifteenth album for Linn records. 'Too Much in Love to Care' received 5 star reviews and prompted Jazz Journal to state that she is 'one of the finest jazz singers in the world today.' The album went on to win the ‘Best New Recording' award at the 2012 British Jazz Awards. 2013 was spent touring the new material in the UK and Europe and embarking on a new show The Two of Us with conductor John Wilson, Joe Stilgoe, Mark McGann and the Royal Liverpool Philharmonic, celebrating the music of Paul McCartney and John Lennon.
Claire has recently embarked on a new and unique musical adventure with The Montpellier Cello Quartet. With new arrangements especially written for her by Sir Richard Rodney Bennett, Mark Anthony Turnage and Django Bates, this new chamber jazz ensemble will be touring this September to promote a new album on Linn Records called ‘Time and Place' which features singer/pianist Joe Stilgoe who has become Claire's new cabaret partner. A highlight for this duo with Joe was a sell out performance at the Wigmore Hall in December where they celebrated the songs of Paris.
Claire lives in Brighton with her husband and her daughter Amelia.

Thomas Kemp
Thomas Kemp is a highly acclaimed musician and one of the most versatile and imaginative conductors of his generation working in opera, ballet, concerts and recording. The Guardian recently commented "…an extraordinary performance…with a fluency that came over brilliantly under the baton of Thomas Kemp." The Gramophone praised his conducting for "a wealth of timbral subtlety…utterly magical…a tremendous sense of vitality and commitment."
Thomas read music at St.Catharine’s College, Cambridge and studied violin and chamber music at the Royal Northern College of Music. He studied conducting at the Royal College of Music, Stockholm with Jorma Panula and Alan Gilbert winning a major award from the Swedish Academy
Thomas Is the artistic director of Music@Malling and has worked worldwide as a concertmaster and chamber musician with many celebrated orchestras and ensembles.
He is an award winning recording artist and currently records for Resonus Classics.

Chamber Domaine
Under its artistic director, Thomas Kemp, Chamber Domaine has become renowned for its virtuosity and its ambitious and distinctive programming that range from the Baroque through to the Contemporary. Chamber Domaine focuses on instrumental chamber music and song in programmes that illuminate the music of today with the music of three centuries: the ensemble brings passion and commitment to a diverse repertoire that makes music come alive whilst placing it into its cultural context.
The Gramophone recently commented: "...a wealth of timbral subtlety...utterly magical...a tremendous sense of vitality and commitment." The Guardian described a recent concert as "an extraordinary performance...with a fluency that came over brilliantly under the baton of Thomas Kemp." The Times commented "Chamber Domaine brilliantly demonstrated the thrill of young players successfully climbing Mount Everest with exhilarating bravery and expressive force." The New York Times praised the ensemble for its "intriguing programming and unabashed lushness."
Chamber Domaine have performed at many leading festivals in the UK, Europe and USA and have a highly acclaimed discography including world premiere recordings of Britten, Bliss, Part, Turnage, Gorecki and Britten.
The ensemble are resident at Music@Malling.

Richard Harwood
Since his critically acclaimed concerto debut at the age of ten, the award-winning English 'cellist Richard Harwood has performed concerti and recitals in major venues including London's Royal Albert Hall, all of the South Bank Centre venues, Wigmore Hall, Musikverein (Vienna), Concertgebouw (Amsterdam), Alte Oper (Frankfurt), Thomaskirche (Leipzig), and the Auditorium du Louvre (Paris).
As concerto soloist, Richard has collaborated with conductors such as John Wilson, Okko Kamu, Marko Letonja, Douglas Bostock, En Shao, Shuntaro Sato, David Parry and Yehudi Menuhin, and with numerous orchestras including the The Philharmonia, Bournemouth Symphony Orchestra, RTÉ Concert Orchestra, Auckland Philharmonia, and the Ural Philharmonic.
As chamber musician, he has collaborated with the Jerusalem and Endellion Quartets, Gidon Kremer, Yuri Bashmet, Olivier Charlier, Benjamin Schmid, Alena Baeva, Ilya Gringolts, Pekka Kuusisto, Vilde Frang, Chen Halevi, Julian Bliss, Martin Roscoe, Finghin Collins, Ashley Wass, Gottlieb Wallisch, and Julius Drake, among others. In 2014, Richard became the cellist of the Sitkovetsky Trio.
Richard is regularly heard on BBC, having made his BBC Radio 3 debut at the age of thirteen with a live recording of the Elgar Concerto. He has also given performances for Radio France, MDR, RTÉ, and Radio New Zealand.
Richard's discography includes a critically acclaimed debut disc for EMI Classics, recorded with pianist Christoph Berner, and Composing Without The Picture, a 2013 solo album of concert works written by film composers, on Resonus. In addition, Richard can be seen and heard in Phil Grabsky's 2009 documentary In Search of Beethovenwhich received its theatrical premiere at the Barbican Theatre, London, was broadcast on Sky Arts, and shown in cinemas worldwide.
Contemporary music plays an important role for Richard. This started in 2002 when he took part in the Park Lane Group Young Artists' Series on the South Bank and premiered solo works written for him by Dominic Muldowney and Martin Butler. He has also worked with Philip Grange, giving the London premiere of his Nocturnal Image and given the European premiere of David Horne's Zip with the composer at the piano. For his solo album Composing Without the Picture, Richard premiered works written for him by Christopher Gunning, Alex Heffes, Fernando Velázquez, and Benjamin Wallfisch.
Richard began his studies with Joan Dickson, before continuing with other eminent teachers such as Steven Doane, David Waterman, Heinrich Schiff (University of Music and Dramatic Art, Vienna), and Ralph Kirshbaum (Royal Northern College of Music, Manchester).
He complemented his studies by taking master classes and lessons with Mstislav Rostropovich, Janos Starker, Steven Isserlis, Boris Pergamenschikow, Miklós Perényi, Bernard Greenhouse, Valentin Erben (Alban Berg Quartet), William Pleeth, Zara Nelsova, and Ferenc Rados.

Matthew Sharp
Matthew Sharp studied cello with Boris Pergamenschikow in Cologne, voice with Ulla Blom in Stockholm and English at Trinity College, Cambridge. He has performed at major venues and festivals worldwide as solo cellist, baritone and actor. Matthew has appeared as solo performer with the Royal Philharmonic Orchestra, London Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Orchestra of Opera North, Scottish Chamber Orchestra, European Union Chamber Orchestra, English Symphony Orchestra, Manchester Camerata, Orchestra of the Swan, Arensky Chamber Orchestra, and Ural Philharmonic. Matthew has performed principal roles for Opera North, ROH2, Almeida Opera, Young Vic and National Theatre Studio.
Matthew has given solo performances at the Glastonbury and Latitude festivals, and has recorded for Sony, EMI, Decca, Naxos, Somm and Avie. Matthew has given over fifty world premieres - including the title role in Sir John Tavener's The Fool and Errollyn Wallen's Cello Concerto. As writer, composer and performer he collaborates regularly with leading artists from film, theatre and dance.

Sami Junnonen
Sami Junnonen (b. 1977 in Tampere, Finland) has established a versatile international career by performing as a flute soloist with a wide repertoire from early music to contemporary works. Junnonen collaborates frequently with some of the most significant composers of our time. His 2012 Debut Recital at the Helsinki Music Centre received outstanding reviews.
Junnonen has worked as a principal flutist in various orchestras including the Hong Kong Sinfonietta and the Auckland Philharmonia Orchestra. He has also worked as a performance teacher in flute and chamber music at the University of Auckland in New Zealand. In addition to SibaRecords, Junnonen releases music through Alba Records. He has recorded for the Finnish Broadcasting Company, Radio Television Hong Kong, and Radio New Zealand, as well as for the labels Sony BMG, Bayerische Rundfunk, Naxos, and Ondine. Junnonen is a multiple prize winner in international music competitions, and his artistic work has been sponsored by several cultural institutions.
Junnonen has been academically trained at the Sibelius Academy, the Conservatoire national musique et danse de Lyon, the Royal Danish Academy of Music, and various masterclasses. He holds a Master of Music with Distinction from the Sibelius Academy, completed in 2008.
Junnonen performs on 24-carat and 14-carat gold flutes, handcrafted by the Muramatsu Flute MFG. Co., Ltd.
“Junnonen keeps impressing his audience with his great talent, technically sovereign, and his intensity and longing for musical expression. He keeps exploring the repertoire and possibilities on the flute, and is showing a remarkable mastery of his instrument throughout the whole range of expression, dynamics, pitch, rhythms.”
Emmanuel Pahud
Soloist and Principal Flute, Berliner Philharmoniker

Barrington Pheloung
Barrington Pheloung is a composer, conductor and performer of international renown. Barrington has an immense catalogue behind him that includes fifty two ballet scores for many dance companies worldwide, numerous concertos, scores for film, television, radio, theatre and new media. He is a popular phenomenon in Britaind and a man who has straddled the worlds of film and television music, the pop record industry and the concert hall with equal ease.
Born in Sydney, Australia, Pheloung took up guitar at age six and he played in blues bands through his teenage years. He moved to London at the age of 18 to study composition, conducting , double bass and guitar at the Royal College of Music and in 1977 won a place on the International Course for Professional Composers and Choreographers at Surrey University. Pheloung began laying the groundwork for a film and television career with his work on ballets and since the late 70’s has written more than 50 commissioned ballet scores for world renowned ballet and dance companies in Britain and Europe, and conducting and recording several of them including the popular works Run Like Thunder and Rite Elektrik both choreographed by Tom Jobe.
Oscar winning director and writer Anthony Mighella took a liking to Pheloungs ballet work and asked him to score one of this early plays’ “Made in Bangkok” directed by Michael Blakemore in 1986. Pheloung went on to score more than half a dozen stage plays including Arthur Miller’s After the Fall at the National and Sweet Bird of Younth also directed by Blakemore on Broadway, as well as plays for the Royal Shakespeare Company and The Graduate adapted by Terry Johnson for the West End and Broadway. He has also scored the live show Wheel of Life which is performed by the kung-fu Shaolin Monks from China and directed by Micha Bergese.
Pheloung made his mark on the British popular consciousness when he began working in television on the popular 13 part series Boon in 1985. This led to the enormously popular detective series Inspector Morse. Pheloungs classically -styled, melancholy theme for Morse became an instant hit with the public. Other acclaimed television work for the composer includes Lewis, Red Riding Tilogy: 1983, The World of Nat King Cole, Portrait of a Marriage, Stanlry and the Women,Channel 5 News, Good-bye Cruel Work, Blood and Peaches, Mickey Love, Cinderpath, Brown Bears Wedding, Days of Majest, the Legends of Treasure Island, Mosley, The Politicians Wife, Dalziel and Pascoe and Cor Blimey.
His motion picture credits include Friendship’s Death, Truly Madly Deeply. Shopgirl, Hilary and Jackie, When did you last see your Father, Nostradarmus, Twin Dragons and The Mangler.
Barrington Pheloung recently conducted the Inspector Morse Theme at a gala concert with the London Philharmonic Orchestra to a packed Royal Albert Hall. He remains an outstanding example of the marriage between the world of concert hall composition and film scoring.

Jeremy Begbie
Jeremy Begbie is the inaugural holder of the Thomas A. Langford Research Professorship in Theology at Duke Divinity School, North Carolina, and founding Director of Duke Initiatives in Theology and the Arts.
He is author of a number of books, including Voicing Creation’s Praise: Towards a Theology of the Arts (T & T Clark); Theology, Music and Time (CUP), and most recently, Resounding Truth: Christian Wisdom in the World of Music (Baker/SPCK) which won the Christianity Today 2008 Book Award in the Theology/Ethics Category. He is a professionally trained and active musician, and has taught widely in the UK, North America and South Africa, specializing in multimedia performance-lectures.

London Metropolitan Orchestra
LMO is London’s finest multimedia orchestra and has been engaged by all the major Hollywood studios and worldwide record companies since its formation in 1994. The orchestra employs London’s best musicians renowned for their virtuosity, combining to give universally acclaimed performances. LMO has worked with many of film music’s best known composers such as Michael Kamen, Howard Shore, Danny Elfman, Elliot Goldenthal, David Newman, Harald Kloser, Christopher Young, Mark Isham and Barrington Pheloung.
LMO is also now working with an exciting younger generation of composers including Klaus Badelt, Normand Corbeil, Ilan Eshkeri, James Brett, Michael Price, Rupert Christie, Antonio Pinto, Alti Orvasson, Wolfram de Marco, and John Swihart.
LMO has also gained worldwide recognition for numerous television soundtracks which include Band of Brothers (composer Michael Kamen) and Inspector Morse (composer Barrington Pheloung) and has collaborated in recordings and live performances internationally with many well-known artists including Paul McCartney, U2, Eric Clapton, Annie Lennox, Sting, Bryan Adams, Quincy Jones, Pink Floyd, Jon Bon Jovi, Vangelis, Simply Red, Pet Shop Boys and The Last Shadow Puppets.

Adam Mackenzie
Born in Plymouth but raised in the Highlands of Scotland, Adam Mackenzie began playing the bassoon in school, obtained a first class degree at the Guildhall School of Music and Drama and was runner-up in the prestigious Guildhall Gold Medal Competition.
Following his return from a year at the Accademia della Scala, Milan, Adam embarked on what has become a hugely varied career. Adam is the principal bassoon of Sinfonia ViVA and English Sinfonia and plays regularly as principal bassoon with orchestras such as the Philharmonia, Royal Philharmonic Orchestra, Halle Orchestra, City of Birmingham Symphony Orchestra, London Mozart Players and Scottish Chamber Orchestra.
Alongside this orchestral work Adam is a diverse and adventurous soloist, performing concertos (recently Mozart’s G Major Violin Concerto arranged for bassoon), playing in hip-hop bands, improvisation ensembles, theatre groups and has just completed a tour of India with the world renowned sarod player Amjad Ali Khan.
He is fortunate to be able to combine this with his other musical passion, outreach and education work. As one of London’s busiest freelance workshop musicians and leaders, Adam works regularly with all the major London orchestral education departments. He is Director of Education for English Sinfonia and Head of Education for Brandenburg Sinfonia.
Adam is also a presenter of concerts and has narrated many classic works including Peter and the Wolf, Ogden Nash’s poems for Carnival of the Animals and Poulenc’s The Story of Barbar. In 2006, Adam spent three months acting in (and playing from memory) Stravinsky’s Soliders Tale in the Old Vic Theatre, a piece which he has also narrated often in straight performance.
Adam will be performing Peter and the Wolf again in November with London Winds in Hackney.

James Pearson
James Pearson is one of the country’s most respected musicians. His work covers all genres of music, especially contemporary music, jazz and classical. He graduated from the Guildhall School, having completed his degree and the Advanced Solo Studies Course. Whilst at college he studied with Robert Saxton, Francis Shaw, Peter Bithell and James Gibb.
James has broadcast on all the major radio and television networks. Classic FM broadcast his concert of Rachmaninoff’s 2nd piano concerto, and BBC Radio 2 broadcast his performance of the Gershwin Piano Concerto and Rhapsody in Blue. He was the pianist in the Steve Martland Band. His work as a Jazz musician has taken him all over the world. Earlier this year, the James Pearson Trio was invited to play a four night run at New York's Birland Jazz Club. His fine piano playing and arrangements can be heard on over 50 albums.
Amongst the many artists James has worked with are Dame Cleo Laine, Maria Ewing, Marian Montgomery, Petula Clark, Kevin Spacey, John Wilson, Elvin Jones, Wynton Marsalis, Joss Stone, Dave Stewart, Buddy Greco, Johnny Griffin, Joseph Horowitz, Richard Rodney Bennett, Ray Davies, Jeff Beck and Paul McCartney.

David Horne
David Horne is regularly commissioned and performed by major organisations in the UK and abroad, including Carnegie Hall, London Sinfonietta, the BBC Symphony, BBC Scottish Symphony, BBC Philharmonic, Hallé, Royal Liverpool Philharmonic and the Scottish Chamber Orchestras. Ensembles who have performed his music include Ensemble 10/10, Nash Ensemble, Scottish Ensemble and, abroad, Boston Musica Viva, the Chamber Music Society of Lincoln Centre, Ensemble Moderne, the Nieuw Ensemble (Netherlands), Orchestra 2001 (Philadelphia) and Remix Ensemble (Portugal.) His solo commissions include those from Boris Berezovsky, Nicholas Cox, Evelyn Glennie, Nobuko Imai and Fred Sherry.
His concerto works include a Piano Concerto, a percussion concerto (Ignition) for Evelyn Glennie and a Double Violin Concerto for Clio Gould and Jonathan Morton. His full-length opera Friend of the People, was commissioned and premiered by Scottish Opera. His music has featured at the BBC Proms, Cheltenham, Huddersfield and St. Magnus Festivals as well as at international festivals in Berlin, Paris, Rome, Singapore and Strasbourg. Active as a pianist, and winner of the piano section, BBC Young Musician of the Year 1988, he has recently performed both his Piano Concerto and Flex with the BBC Symphony Orchestra. Career highlights include a full evening concert of his works given by the BBC Symphony Orchestra conducted by Clark Rundell, subsequently broadcast. Last year he had a portrait concert as part of the BBC Proms, accompanying the BBC Philharmonic Orchestra’s performance of his Daedalus in Flight. His music is published by Boosey and Hawkes.
A respected teacher and mentor David is in demand as an educator at all levels. He has mentored emerging composers on Making Music’s Adopt a Composer programme for a decade and frequently advises and mentors composers on Sound and Music projects. He has a keen interest in working with younger musicians and is a key tutor on the Sound and Music Summer School and has led education projects throughout the UK.

Markku Mäkinen
(b.1973) gained his MMus degree from the Solo Studies Department at the Sibelius Academy (Helsinki, Finland) in 1999, having been awarded excellent marks for his organ diploma in 1998. His organ teacher was Professor Olli Porthan. He also studied harpsichord performance under Kati Hämäläinen and completed his diploma with excellent marks in spring 2001. From 1998 to 2000 he studied at the Amsterdam Conservatory with Professor Jacques van Oortmerssen and gained his Tweede fase examination (solo diploma) “cum laude” in June 2000. He has also furthered his studies in numerous masterclasses in Finland and abroad.
Markku Mäkinen has performed as a soloist and chamber musician in Finland, Estonia, Lithuania, Sweden, Denmark, the Netherlands, the UK, Russia, Italy, Spain, Austria and Hungary and as a keyboard player with many orchestras, choirs and early music ensembles (such as Finnish Baccano and Italian Accademia Barocca Willem Hermans). In 1997 he won the third prize in the International Schnitger Organ Competition in Alkmaar (the Netherlands) and in 2002 the first prize in the Kotka International Organ Competition (Finland). Since 2002 Markku Mäkinen has taught the organ at the Sibelius Academy. He has also held master classes in Finland and abroad and as of 2007 has been the Artistic Director of the International Summer Academy of Church Music in Estonia. He has had numerous recordings and concerts broadcast on the Finnish Radio and he has recorded many solo and chamber music CDs, for instance, for labels Alba and La Bottega Discantica. Mäkinen is also the organist in the Catholic church of St. Mary in Helsinki.
